Phoenix Ascending, Part 4 | |
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Article 25961 of alt.sex.fetish.smoking: Path: cocoa.brown.edu!agate!howland.erols.net!portc02.blue.aol.com! audrey01.news.aol.com!not-for-mail! From: sullivangm@aol.com (SULLIVANGM) Newsgroups: alt.sex.fetish.smoking Subject: Story: Phoenix Ascending, Part 4 of 4 Date: 29 Dec 1996 13:06:24 GMT Organization: AOL http://www.aol.com Lines: 481 Message-ID: <19961229130500.IAA07300@ladder01.news.aol.com> NNTP-Posting-Host: ladder01.news.aol.com X-Admin: news@aol.com [Note - contact address for this author now msulliva@asacomp.com] Notice: This story has been rated "NC17" for adult language, nudity, strong sexual content, violence, and explicit smoking. If you find any of this objectionable, try "Alt.Dr_Seuss.Fan-Fiction" instead. Copyright 1996 by G. M. Sullivan. All rights reserved. This story may be copied and distributed for the uncompensated amusement of others only. DEDICATION: To Linda, with love. Author's note: This is a sequel to my previously posted story "Dying for a Cigarette." For a full understanding (if it's possible), I suggest you read that story first. "Phoenix Ascending" Part Four of Four Part Four: Soaring Rhetoric 19. 10 January, Pierre Hotel, 10:27 PM Like Flinn, Rachmani was also watching television coverage of the benefit. In 30 minutes the signal would be lost, and he would switch to CNN, al least for a while. He was booked on a flight to London leaving Kennedy airport at 1:30 AM. He smiled as he listened to Natalie's words. Last night he had made love to her. Soon she would die by his hand. The thought occasioned no regret. Yesterday had been a pleasure, today...was a greater pleasure. He would honor her memory back in Tehran, in the manner of his people. Infidel or not, she had aided this Soldier of Islam in her own small way. Rachmani was startled by a knock on his door. "Police! Open up!" He dashed to the bathroom, groping under the sink for his gun. It was missing. He cursed under his breath in Farsi as he heard the door being kicked in. Flinn entered the room, service revolver drawn. He was turning to sweep the room when Rachmani's right foot struck his gun arm. Flinn managed to hang onto his piece but was spun around and knocked down by the impact. Oh great, a Bruce Lee type, he thought. Flinn tried to take aim at the terrorist, but another vicious kick caught him in the ribs, rolling him over, making him grunt with agony. Rachmani was out the door and gone. Flinn got to his feet painfully, considered pursuing, then changed his mind. He picked up the phone to alert the arriving police that the terrorist was loose in the hotel. This will be the cause of not a little embarrassment, Flinn thought, especially if the bastard gets away. As he completed the call, Flinn noticed the television was tuned to coverage of Dorothy's benefit. Now why...a bomb specialist, Mendoza had said. Flinn made another call and then he too was gone from the room. 20. 10 January, Javits Center, 10:41 PM "Hello, everyone. My name is Dorothy, and I'm here to tell you that soon none of us will be in Kansas anymore. "The millennium is coming. It is less than a year away, now. After it comes, things will be different. Don't ask me exactly how, yet. When I know, I will tell you. "We are lost, now. All of us. We don't know why things happen. Everything happens for a reason, even the littlest things, but we don't know why. I don't know why. There are so many things I don't know. All I can say for certain is that there are reasons for everything. "I'm not quite sure why I was saved on Christmas Eve, just that I'm supposed to talk to you about it. If it was a miracle, then everything is a miracle, because everything happens for a reason. "There are some things I do know. We are all ourselves miracles, every one of us, even the ASK-man. Understanding that is the first step. Accepting it and honoring it is the second. Dorothy paused to light a cigarette. Many in audience were smoking too, now. The security guards had been warned to expect this violation of city ordinances, and to ignore it so long as no one objected too strenuously. No one had. Dorothy took a long puff, savoring the reassuring smoke, and blew out a long exhale. The rest of her smoke mixed with her next words. "I know it's easy to find reasons to hate each other. The ASK-man hated me, Natalie, some of you, and others for a silly thing like this." She held up her cigarette. "I know there will be no room for hate, or for people who hate, after the millennium comes." "Once we see we are all miracles, then we will no longer hate each other for silly reasons, or any reason. We will understand, and we will love. Dorothy paused, drawing on her cigarette, blowing soft, white clouds thoughtfully. "There is only one other thing I know, and I need to tell it to you now. Look to the sky for a sign." 21. 10 January, East 61st Street, 10:45 PM The Pierre was an old hotel and had an external fire escape on its eastern wall. Rachmani, calling on long years of training and experience in covert activities, managed to gain access to it without being seen. At least no one was shooting at him yet. He could see many police filing into the narrow alley below, watching every exit from the hotel. These did not overly concern him. The man on the opposite rooftop was another matter. That one carried an assault rifle and likely had night-vision gear as well. Rachmani held still and squeezed all the cover he could get out of the iron railing in front of him. It was almost certainly a SWAT officer, far better trained and equipped than the other police. Rachmani would need to take him out. The officer was pacing the near edge of the roof, scanning the hotel as he walked. Rachmani estimated that the rooftop was a meter or two below him and something more than two meters east. Doable. Carefully, he climbed the railing and perched on the outside of the fire escape. He found his lighter and waited until the sentry had just passed by, his back turned to Rachmani. The plastic clattered on the graveled roof behind the Swat officer. As he turned to find the noise's source, Rachmani launched himself across the alley. Rachmani hit the sentry's back waist-high, the impact carrying them both down. Cushioning the fall of the HK-91 with his right foot, Rachmani quickly locked his arm around the officer's neck and pulled his head sharply back and upwards. Not so easy as Americans think, Rachmani thought, to break a man's neck this way. He worked his knee up into the small of the officer's back and wrenched the head again, once, twice. The officer went limp. Ignoring the fallen rifle, Rachmani took the officer's sidearm. Crouching low, he crossed the roof, again thanking the American's stupidity in not having a second sentry here. In quick succession, Rachmani crossed three more roofs accessible with short jumps. Finally, he found a building with an unlocked rooftop entrance. This part is over, he thought. He would have no difficulty slipping from this building and losing himself in the streets for a time. They would be watching for him at the airports. He would need to find another route out of this cursed city. 22. 10 January, Javits Center, 10:49 PM As Dorothy finished speaking, her eyes took on a faraway look and her expression became beatific. She continued to smoke, blowing soft clouds over the audience like a benediction. Not really sure what to make of her remarks, the crowd nonetheless responded enthusiastically, cheering and whistling. Dorothy took no notice when uniformed police began entering in large numbers at the back of the hall. She didn't see Flinn race up the center aisle to the foot of the stage and grab Natalie in a quick embrace. She paid not attention when Natalie returned the hug with enthusiasm. "Natalie, we think there may be a bomb in here," Flinn said, out of breath. "We need to warn the people to leave, now!" Natalie disengaged from Flinn and climbed to the stage. She approached Dorothy who still stood at the podium in a trance-like state. Leaning around her, Natalie spoke into the microphone. "Ladies and Gentlemen, we have just been told the Center has received a bomb threat. There is no need to panic, it's probably a false alarm. However, we need you all to move to the exits in a quick but orderly fashion. The police are here to help you." Indeed, the uniformed officers were arraying themselves at each exit, hoping to prevent a panicky crush. It would take some time to clear the hall of 40,000 people. Flinn desperately searched the stage area. Finally, he noticed the black box 25 feet above the floor, stuck to the bottom of the platform. He waved to several bomb-squad officers who were just arriving, thinking that there couldn't be much time left. The show had been ending now, anyway. People began responding to Natalie's announcement, rising and filing toward the exits. There was no panic, but no great urgency to their movements, either. New Yorkers were used to this sort of thing; rarely was there an actual bomb. Natalie herself wondered how sure Flinn was about all this. Who would want to... Natalie saw Flinn below, waving to her, pointing under the stage. A bomb-squad officer raced up and disappeared beneath the platform as she watched. It was real, all right. Natalie remembered a switch she had seen earlier. One that would move partitions...she ran down the stage-left risers, crossed to the wall, and pulled the switch. Unseen motors grumbled into life, making the floor vibrate. The thick partition began to emerge from its niche, slowly, grudgingly. On the opposite side of the room, Natalie saw the mating partition begin to move also. They would meet directly in front of the stage, but it would take a couple of minutes. Natalie got the backstage people moving, warning them of the closing doors. Dorothy's parents had taken the child by the arms and were leading her down from the stage. She still seemed unaware of the events around her. Natalie reached Flinn just as the bomb-squad officer was returning from his inspection. The bomb was still in place under the stage. "It's no go, Flinn," the officer said. "She's primed and ready to blow at any moment. There's no time to try for disassembly, and if I detach it, it detonates. The best thing is just to keep these people moving, and pray!" The other police we now urging the crowd to hurry, but as yet only a few had gotten clear of the hall. The backstage area was now vacated and the partitions were about to meet and lock. At that moment Dorothy came to life, jerked free of her parents, and darted through the narrowing gap. Natalie was closest to the moving walls. She just managed to squeeze through after Dorothy. The partitions met with a final, grinding thud, isolating the stage and its bomb from the rest of the hall. "Natalie!" Flinn screamed. Dorothy's parents were also screaming, pounding at the unyielding barrier. "We're wasting time!" said the officer. "They should be able to get out on the Twelfth Avenue side from back there. We need to get moving!" They weren't half-way to the nearest exit when the bomb detonated. Flinn had the sense that some enormous presence had suddenly come into the air around him. His ears hurt. Rows of unoccupied chairs slid toward the rear of the hall, disturbed by an unseen hand. He turned back toward the partitions in time to see them swell outward, fabric, metal, and wood stretching into a domed shape like a soap bubble rising to the surface of a bath. In the center of the bubble the partition seam parted to reveal a fiery hell behind. Flaming debris shot through the gap with incredible velocity, shredding the bubble's center. The bulk of it passed well above the seats in perfectly level flight, crashing against the far wall and raining down on the exiting crowd. Those not trapped beneath reared back while the police moved to clear the debris, the injured, and the dead. However, the main bulk of the partitions, now smoldering and distorted beyond recognition, had held. Fires were evident beyond, but not the raging inferno Flinn had feared. Natalie had saved them. Most of these people would live. Most of them. Flinn moved toward the exit, hope all but extinguished. 23. 10 January, Javits Center, 10:58 PM The partitions shut thunderously behind Natalie, muffling the sounds from the crowded hall. Only she and Dorothy were back here. Back here with the bomb. Natalie looked around desperately. If she could collect the girl, there might still be time to escape through a rear exit. However, Dorothy was nowhere in sight. Natalie looked up to the stage, her eyes widening in disbelief. Dorothy was climbing the framework behind the platform, using a ladder mounted to one side of the huge "smoking permitted" backdrop. It was as if she was looking to escape through the glass ceiling many stories above. It was pure insanity. Flinn had been right all along. Heedless of these thoughts, Natalie raced up the steps onto the stage and began to climb after Dorothy. You never know, she thought, my luck might hold. Yeah, right... As Natalie climbed, Dorothy reached the top and walked across unrailed wooden boards toward the center of the framework. She looked straight ahead, chin held high, oblivious to the fatal drop on either side, as if she was moving forward to accept some sort of diploma. Natalie thought, "Sure, she's about to graduate from life, and me with her!" She hastened her climbing, calling out to Dorothy. Ignoring her, Dorothy stopped at the very center and turned to face the partitions. Her expression was blank. Natalie, badly out of breath, ignoring the dangers of their position as much as Dorothy had, ran forward to grab her. Natalie lost her footing as she took hold of Dorothy. They fell together toward the stage 80 feet below. At least, they started to fall. Natalie's stomach had just begun to register her dilemma when she felt herself and her burden cupped by an invisible hand and thrust upward. Time took on a slow, dreamlike state, allowing her to observe what was happening as if detached from herself. The bomb's gone off, she thought. Now we are being hurled to our deaths. Their upward movement hastened, accelerating even faster than a fall. Natalie could see pieces of the scaffolding and the odd amplifier or two rising with them in perfect synchrony. She could feel heat rising too, as her hair singed and clothing began to smolder. For now, she did not register any pain or fear. She kept a tight grip on Dorothy. Still above them but much closer now, the glass ceiling shivered into a billion sparkling fragments, each taking on its own trajectory, arcing upward and outward. It's beautiful, thought Natalie. Like fireworks. Clasped tightly together, they raced upward into the cold night air above New York. She felt herself being nicked and cut as they passed through the layer of coruscating glass fragments. She pulled Dorothy in even more tightly, hoping to shield her from the worst of the damage. The girl had remained silent throughout and didn't speak now, but she hugged Natalie back. Natalie caught a glimpse of the shattered glass ceiling below them. They sailed through space more slowly now, their trajectory curving as gravity finally began to win the struggle. They soared over the landscaped Javits grounds, over Twelfth Avenue 400 feet below, velocity slowing constantly, beginning their long descent. Show's over, Natalie thought, but that final ride was a doozy! Their momentum carried them over some long, concrete piers and finally over the Hudson River, eclipsed in darkness below. It really didn't matter, she knew. Falling onto water from this height would be no better than landing on concrete. Unless... Time slowed still further as Natalie's heart began to race. She tried to remember all the times Marcia had spoken of skydiving, while Nattie or Natalie sat bored and not really listening. Marcia had said you could actually change the attitude of your body while in free-fall, by somehow transferring momentum from one body part to another. They were falling straight down toward the water now, accelerating again, almost feet first. Smaller debris accompanied their fall, shadowed fragments to either side. "Almost" would not be good enough, Natalie knew. At terminal velocity, the slightest angle from true vertical would be enough to snap their spines. Having no idea what she was doing, Natalie began kicking her legs and swinging Dorothy's weight back and forth. If she could just straighten them out a little, it might work. Frigid wind whistled past them, ever faster. They could... Natalie and Dorothy struck the oily surface of the Hudson at better than 140 miles per hour. 24. 10 January, Twelfth Avenue, 11:04 PM Flinn gasped for breath as he ran around the Javits Center to the waterfront side. As he neared Twelfth Avenue, he saw a large piece of debris splash into the Hudson, raising a tall, white pillar of foam. Some uniforms seemed to be taking a lot of interest in the event. They were pointing, shouting, and running out onto the closest pier. Seeing no sign of Natalie in the sparser crowds on this side of the building, Flinn ran out onto the pier after the uniforms. By their actions, they seemed to think someone needed rescuing. 25. 10 January, Hudson River, 11:05 PM The impact was stunning. Darkness closed around the edges of Natalie's vision as she and Dorothy plunged deep beneath the surface of the river. Natalie could feel the cold stealing her precious heat away. Even if she avoided drowning, fatal hypothermia would follow in minutes. She had to stay awake, had to get them out of the water! Natalie began to kick weakly as their descent slowed. Amazingly, Dorothy was also kicking. Natalie doubled her efforts, dug deeply into herself, and doubled them again. They were rising! Her lungs burned, her limbs losing all sensation, becoming lead weights. She had to keep trying! She drew on her anger for strength. Ahvi had done this, she knew. She would live to kill that bastard, if Flinn hadn't already. After a seemingly endless time, their heads broke the surface and Natalie gasped in the blessed New York air. They were close to the end of a pier. A rope floated nearby. She saw Flinn. She grabbed at the rope with numb fingers, but couldn't force them to close on it. 26. 10 January, West Side Piers, 11:08 PM When Flinn saw Natalie's and Dorothy's heads break the surface, he dived immediately into the frigid water. The shock of it took his breath away, but he struggled out to where they floated together. He grabbed both, took the rope, and the uniforms hauled them all in. Medics waited on the pier with thick blankets and first-aid gear. Natalie was conscious, if barely, her hair and clothes burned, her skin blemished with a myriad of shallow cuts. Dorothy looked no better, but of more concern was the fact that she wasn't breathing. An EMT wrapped Natalie and Dorothy in the blankets while two more began CPR on the child. Dorothy's parents hovered anxiously nearby. For a long minute nothing changed, but then she coughed, spitting up water, and began breathing on her own once more, though still unconscious. At this sight, a ragged cheer came from the group of onlookers. Flinn, not proud, grabbed a dry blanket for himself. He crouched beside the enwrapped Natalie, mumbling apologies and receiving them in turn from the barely-awake young woman. "How touching," said Mendoza, who appeared at Flinn's elbow. "Save the dying confessions for another time, kids. It looks like everyone here is a survivor. We should get these two over to St. Vincent's right away, though." Flinn kissed Natalie, then straightened up. "I've got bad news, Jake. 'Ben-Mordechai' slipped our net. One SWAT officer went down." Flinn said nothing. He bore a lot of responsibility for that result, and would have to answer for it eventually. Just not tonight, he hoped. Reading his mind, Mendoza said, "under the circumstances, I think we can delay the reports for 24 hours. You helped save a lot of people tonight, Jake." "Me?" Flinn said. "It was her, mostly." Natalie was trying to speak. He bent down to hear. "Jake honey? Do you have a cigarette on you?" A short distance away, Persephone Jones stood with a group of other media people. She took a last drag on her Chesterfield and flipped it into the black water. She exhaled a great cloud of smoke and a little cloud of water vapor into the night air. Watching the people on the pier, she knew that tonight was not the night for her big scoop. She would have to settle for being the Post reporter-on-site for yet another huge story. Dorothy had been saved again, and even more miraculously this time. God only knew where it would all lead. Miracle or not, she was determined that her day would come. She could afford to be patient. This story wasn't going away any time soon. 27. Utica, New York, 11 January, New York State Thruway, 2:33 AM Rachmani sat beside the long-distance trucker as the rig sped west at 78 miles per hour. He had been fortunate to catch this ride on Third Avenue after eluding the police. The trucker was headed for Buffalo, and it would be easy to cross into Canada from there. He always carried at least three passports on his person at all times, and tonight had been no exception. Allah had punished him for his carelessness and arrogance. Listening to the trucker's radio, he had learned that the death toll at the Javits Center would certainly be no more than his last job in Tel Aviv. Worse, the child Dorothy still lived, and was now at the center of a new "miracle" far more impressive than the last. Curse that ST-7! He had also learned the name of the policeman who had interrupted his television viewing. He had wasted precious materials, including that cursed explosive the regime had purchased at great cost from its most hated enemies. One of his more useful "identities" was now lost to him. He would have much to answer for back in Tehran. If, that is, he returned. He needed to a reach a safe haven off this Infidel continent, but perhaps he could delay his planned trip to Iran. He had many sources of weapons and equipment besides his masters, and an account at Credit Suisse of which they knew nothing. He could find a way to return as a Hero of Islam once again, given a little time. He would settle his scores. The girl Dorothy would pay. The woman Natalie would pay. That policeman, Flinn, would pay. They would all pay for his humiliation. The End |
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